Page Screenplay Awards

Posted in Family Grief, The Biz, Writing on June 26th, 2009 by Phil Abatecola

Some great news just came down the wire…

Several weeks ago I submitted my two short scripts, Kilogram (Kg) and Family Grief to the Page International Screenplay Awards competition.

Not one, but BOTH of the screenplays were chosen to move up the ladder into the top 25% of screenplays chosen for the next round.

July 1st is the next cut, and I have high hopes that at least one of them will move into the top 10% for final judging.

Let’s all cross our fingers, toes, eyes… people… anything!

Time to keep writing!

Breaking a Scene Down Emotionally

Posted in Directing, The Biz on June 19th, 2009 by Phil Abatecola

One of the most difficult aspects to directing is specifying the tone, subtext behind your character’s intentions and the Mis En Scene of your film.  There are just so many ways you can construct your scene!

One way to help guide the process is by breaking your script down into very specific, emotional beats that will reinforce the spine or thesis of the story, the characters and the turns within each scene.  This might not be effective for everyone, but this process let’s me explore several options before I ever show up on set, keeps me on track while in the thick of directing and can reveal mistakes.

Emotional beats are denoted as such:  –To emotion goes here

Let’s take a random scene from Aliens vs. Predator:

EXT. SEBASTIAN’S CAMP – DAY

Sebastian is packing at his tent. Thomas walks up behind him. --To approach (Sebastian)--

SEBASTIAN

How bad? --To inquire--

THOMAS

We lost half the crew. --To mourn--

SEBASTIAN

Bobby leave?  --To worry--

THOMAS

(nods)

Yeah. And Joe. And Caroline. Nick, Jerry and Jerry’s crew. --To reveal--

Sebastian takes the news hard. --To re-assess--

SEBASTIAN

Thomas, the burial chamber is here. I know it. We’re going to find it. --To believe--

THOMAS

I know it too. But without a crew and a new permit we’re out of business.  --To doubt--

SEBASTIAN

Hold the rest of the team together for two days. I’ll go to Mexico City...talk to the bank. I’ll get us more money. --To lead--

MAX (O.S.)

I might be able to help you accomplish that, Professor. --To ingratiate--

Sebastian and Thomas turn to find MAXWELL, an elegant man of Afro-Caribbean descent, standing by his tent.  --To spy--

SEBASTIAN

Do I know you? --To suspect--

MAX

In exchange for a little of your time. --To pitch (an intention/idea)--

And Max hands him an envelope with a Weyland Industries seal. --To entice--

I suspect that it’s easy to see how these little notes can change EVERYTHING.  Let’s see what happens if we made the scene less about exposition and increase the tension between Sebastian and Thomas: Read more »